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Acclaimed as "one of the brightest younger artists in the field today" (The Diapason), Jonathan Ryan consistently elicits acclaim for his "considerable depth of musicianship, imagination, and passion" (Ibid.), "sense of architecture" (Choir & Organ), and "great sensitivity within the composer's spirit" (Frankfurter Neue Presse) His command of an exceptionally large breadth of repertoire, spanning from the Renaissance to numerous solo and collaborative premieres, coupled with "true virtuosity" (Reutlingener Generalanzeiger) enables the bold, imaginative programming and exceptional use of each organ’s unique capability for which he is noted.  Especially concerned with communicating a work's essence, his ability to captivate listeners has "left the audience in a breathless awe" (Ibid.).

Mr. Ryan has the rare distinction of holding six First Prize awards from major international and national organ competitions.  He most notably entered the international spotlight when awarded First Prize in the 2009 Jordan II International Organ Competition, one of the most substantial First Prize awards of any organ competition at the time. He was additionally awarded the only auxiliary prize at the Jordan Competition, the LeTourneau Concerto Prize, given for the best performance of a newly commissioned work for organ and percussion ensemble.  Additional First Prize awards include the 2006 Arthur Poister National Organ Competition, the 2006 John Rodland Scholarship Competition, the 2004 Albert Schweitzer National Organ Competition (Young Professional Division), and the 2003 Augustana Arts-Reuter National Organ Competition.

Jonathan Ryan’s newest recording entitled Influences, recorded on the Stahlhuth-Jann organ at St. Martin’s Church, Dudelange Luxembourg, was released on the independent boutique label, Acis, and is available for purchase at The recording received the rare honor of nomination consideration in the 2017 GRAMMY awards. It features major works by Dupré and Willan, a premiere recording of Ad Wammes, and a commissioned piece by renowned English composer Philip Moore.  His début solo organ recording, A Cathedral’s Voice (Raven 941), was released in 2012 to immediate critical acclaim, including a five-star review in the London-based Choir & OrganLauded as "masterfully played" (The Journal of the Association of Anglican Musicians) with "expressive singing lines....extraordinary technical ability" (The Diapason), it includes music ranging from Byrd and Bach to Schumann and Eben to a commission by multi award-winning young American composer Zachary Wadsworth. Mr. Ryan’s performances have also been featured on the nationally syndicated radio programs Pipedreams and With Heart and Voice.

As a recitalist, Mr. Ryan’s solo engagements have taken him to numerous prominent venues and festivals throughout the United States and Europe.  Recent performances in the UK have included St. Paul’s London, Ripon, Southwark, and Truro Cathedrals, and a celebrity recital at St. Michael & All Angels Church in Great Torrington. In Germany, he has performed at Leipzig’s Nicholaikirche and at international organ festivals in Hamburg, Lübeck, Konstanz, and Kevelaer.  Other European venues include the Cathédrale St-André in Bordeaux (France), and the international Spätsommer Festival in Zürich (Switzerland).  In the United States, recent engagements include the Piccolo Spoleto Festival’s prestigious Spotlight Series (Charleston SC), the inaugural organ concert series at the Cathedral of Christ the Light in Oakland CA, the Eccles Organ Festival (Salt Lake City UT), the Co-Cathedral of the Sacred Heart in Houston TX, and recitals sponsored by the Chapters of the American Guild of Organists in Cleveland OH, Kansas City MO, Fairfield County CT, Charlotte NC, Knoxville TN, and Little Rock AR.  Mr. Ryan's current performance projects include recitals of J.S. Bach's monumental Clavier-Übung III in a tour on historically-based organs throughout the United States, including Stanford and Pacific Lutheran universities, St. Joseph Cathedral in Columbus OH, St. Philip Presbyterian Church in Houston TX, Pinnacle Presbyterian Church in Scottsdale AZ, Church of the Transfiguration in Dallas TX, Trinity Cathedral in Cleveland OH, and Christ Church Christiana Hundred in Wilmington DE.

Equally at home on the podium, Mr. Ryan has founded and directed choral ensembles of all ages and abilities, ranging from children and youth choirs to fully professional ensembles to large adult choirs.  Passionate about new music, he has conducted the premiere of numerous new works by composers such as Cecilia McDowall, Philip Moore, Zachary Wadsworth.  The 2021-2022 season saw him direct nine premieres.  In increasing demand as a conductor, the 2022-2023 season saw him serve as Guest Director of the Dallas Symphony Chorus in Dallas, TX, Guest Director of the Choir of Trinity Wall Street in New York City in a service Choral Evensong at Trinity Church, Wall Street, and direct choirs for two services in the 2023 National Conference of the Association of Anglican Musicians.

Mr. Ryan is frequently invited to perform for his peers at conventions, most recently as a featured artist at the 2014 National Convention of the American Guild of Organists held in Boston MA.  He has also performed solo recitals at three National Conventions of the Organ Historical Society, two summer Colloquiums of the Church Music Association of America, and the opening recital of the 2012 Symposium on Charles Tournemire in Ft. Lauderdale/Miami FL

Born into a musical family in Charlotte NC, Ryan first started playing the organ at age eight.  He earned a Bachelor of Music degree with academic honors from the Cleveland Institute of Music where he studied organ, improvisation, and church music with Todd Wilson.  During his undergraduate studies, he was awarded the Henry Fusner Prize for outstanding achievement in the Cleveland Institute of Music’s organ department, and also assisted Todd Wilson at The Church of the Covenant as Student Intern in Music.   As a student of David Higgs, Ryan received a Master of Music degree from the Eastman School of Music where he also studied improvisation with William Porter and conducting with William Weinert.  Additionally, he holds the highest-ranking professional certification from the American Guild of Organists, the revered Fellow certificate, as well as the Choirmaster certificate for which he received the Choirmaster Prize.

Ryan enjoys combining his passions for conducting, performing, and teaching in many contexts, including in the interdisciplinary nature of liturgy.  In the 2023-2024 season, Ryan serves as Acting Director of Music at Christ Church Cranbrook (Episcopal) in Bloomfield Hills, MI.  There, he leads the music program consisting of the semi-professional adult choir, chorister program based on the Royal School of Church Music (RSCM), works with 5 other music staff, and enjoys the church's numerous instruments including the E.M. Skinner/Mander IV/84 organ in the church, a new mechanical-action Casavant organ in the crypt chapel, multiple Steinway grand pianos, and a 50-bell carillon in the tower.  From 2017-2023, he was Director of Music at one of the largest Episcopal churches in the United States, St. Michael and All Angels in Dallas, TX.  At St. Michael, he led exceptional growth and success in the music program, including establishing a multi-choir RSCM-based chorister program for ages 4 to 18, founding the professional Compline Choir and weekly Compline service, directing the adult choir in several orchestral Masses each year, heading the introduction of annual services of Christmas Lessons & Carols, All Souls, and Tenebrae, leading choirs in their first concert performances and tours in the 21st-century, and overseeing the music program's staff to one of the largest in the national Episcopal church.  Earlier in his career, he served as Associate Director of Music within one of the largest Episcopal church music programs in the country at Christ Church in Greenwich CT .  Among Christ Church’s nine choirs, he directed the adult choir in choral Masses and concerts, and assisted with the Choir of Men & Boys and the Girls Choir.   He has previously held director, conducting and organist positions at St. John Cantius Church in Chicago IL, the Episcopal Church of the Holy Spirit in Lake Forest, IL, and St. Anne Church in Rochester NY where he was additionally Artistic Director of the Music at St. Anne concert series, and University Organist at the University of Rochester.  During his two seasons as Visiting Artist at St. James Cathedral in Chicago IL, his solo organ accompaniment transcription of the Brahms Ein Deutsches Requiem, Op. 45, performed live in concert with the St. James Cathedral Choir (Bruce Barber, conductor), was showcased on the Friday night “Music in Chicago” program of Chicago’s Classical Music Station, WFMT.


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